Source: filmicon
With The Queer Greek Weird Wave, Marios Psaras, independent film scholar and filmmaker, contributes to an exponentially rich body of monographs and collective works that concentrate on visual culture, particularly on the field of film text analysis. Psaras’s text is part of the Palgrave Macmillan book series marketed under the title Representing Cultural Change and Crisis, which includes Davina Quinlivan’s Filming the Body: Trauma, Healing and Hopefulness (2015); Gwendolyn Audrey Foster’s Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film (2016); Kaitlynn Mendes and Kumarini Silva’s Feminist Erasures: Challenging Backlash Culture (2015); and Eleftheria Arapoglou, Yiorgos Kalogeras and Jopi Nyman’s Racial and Ethnic Identities in the Media (2016). The aforementioned projects are among many others that reveal a shift toward the study of cinema as both a product and an agent of change during times of economic precarity, social fragmentation, and instability. ... More