ISSN: 2241-6692

BLOG - Crisis

The appreciation of Greek cinema outside Greece in the recent years, as well as the screening of Greek films in numerous international film festivals around the world (as for instance in Cannes Film Festival, and Venice Film Festival, among others) has resulted in an increase in the demand of Greek films abroad. Ireland is a country that is proving to be fascinated by Greek cinema: Jameson Dublin International Film Festival (JDIFF), the largest film festival in the country, has hosted a series of Greek films in the past, especially after the emergence of the Greek Weird Wave, but also, the Dublin Greek Film Festival is bringing Greek films to Ireland for the past four years. ... More


Source: filmicon

With The Queer Greek Weird Wave, Marios Psaras, independent film scholar and filmmaker, contributes to an exponentially rich body of monographs and collective works that concentrate on visual culture, particularly on the field of film text analysis. Psaras’s text is part of the Palgrave Macmillan book series marketed under the title Representing Cultural Change and Crisis, which includes Davina Quinlivan’s Filming the Body: Trauma, Healing and Hopefulness (2015); Gwendolyn Audrey Foster’s Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film (2016); Kaitlynn Mendes and Kumarini Silva’s Feminist Erasures: Challenging Backlash Culture (2015); and Eleftheria Arapoglou, Yiorgos Kalogeras and Jopi Nyman’s Racial and Ethnic Identities in the Media (2016). The aforementioned projects are among many others that reveal a shift toward the study of cinema as both a product and an agent of change during times of economic precarity, social fragmentation, and instability. ... More